I have been a professional Nantucket wedding photographer for about 8 years, my main income is through shows selling fine art landscapes and natural abstracts. You can see examples of my wedding photography at https://vimeo.com/60956024.  I have a great understanding of Photoshop but I can see this changing. I do mostly wedding documentary/photojournalism/street photography. I’d love to devote more time to photography hence why I’m here to pick up tips and tricks to make my time more productive. So by weeks end, I will be able to do some comparison shots between my 50mm f1.4 and this new 40mm f2.8 lens.

What I learned about Shooting Weddings In Nantucket

I am shooting my Nantucket weddings with a Canon 7d and was hoping to use the 50mm lens to do video…sadly, with the cropped sensor it means I needed to stand 20-30 feet away from my subject to shoot video which makes it difficult to do live, onsite interviews. Always remember that the technical skills needed to photography a wedding are exactly the same as the skills needed to shoot a sunset in your backyard!  So practice out there for a couple weeks once you learn the exposure tripplets (ISO/Aperture/Shutter) you WILL be able to get good shots! After you have the technical skills to photography a Nantucket wedding and have honed them locally, then you can do the same with your creative skills.  I challenge myself to find a less stunning subject and try to find a creative way to shoot it to make it interesting.  Maybe it can be interesting.. then again maybe not and I’ll have to try harder, at the same time that i’m expanding my ability to find interesting shots, i’m also stretching my photography skills.

Another thing i’ll do is photograph the bride and groom and then shoot until I am absolutely sick and tired of looking at it…. It could be a really cool twisty looking tree, or it could be a building or a person.  I shoot it from every conceivable angle, every regular and creative exposure i can think of.  high key, low key, whatever i can possibly think of!  But try to make every shot the best it possibly can be, don’t just spray and pray and never look at the images.  The goal is for each shot to have some sort of merit, even if it isn’t “good”.  Check out the best Nantucket Wedding Photographer at PommettPhotography.com.

Use Quality Lenses For Wedding Photography

The issue with the cheap ones is the fit isn’t always perfect. I don’t actually think it’s the cheap knock-off; it is more likely because Nikon has been basically making the same mount since 1959, and it varies a bit as the decades wore on. I have found that my 24mm f/2.8 has a slightly longer diaphragm pin, a small lever in the back of the lens. I’ve had a bit of trouble getting this lens on and off. I’ve also had some problems with a 50mm f/1.4 having a slightly fat aperture ring, which makes it stiff to turn. about screwing up your camera: I’m sure slapping non-standard lenses and adaptors on a beautiful canon body will eventually fill the image sensor up with tiny metal shavings or something. I’d rather be shooting through lenses than have them sitting on the shelf, though. might as well get a few picks according to http://spanishinperu.org/nantucket-wedding-photographer-2015/

My Advice

Find a local wedding photography group!  Somewhere you can show your good pics and even more importantly your BAD pics and get advice on what might have helped your vision come through on those specific shots. Finally, when your next trip happens… TAKE YOUR TIME shooting.  Review your images while you are still on location.  Zoom in and make sure things are in focus. Make sure you mind your technical information that you’ve been practicing. Consider Nantucket wedding photographer | http://ceicom.org/?p=105

As a wedding photographer who has shot in Sconset and all over Nantucket, you will learn from your mistakes.  however, you will also learn to compose the shot in the camera and in your head, rather than in photoshop.  you will be observing light; how it changes through the day, and how it interacts, emphasizes, and changes a subject.   work within the limitations of film; limitations are what drive creativity.  Figure out how to shoot iso100 outside at dusk.   learn to develop your film, and print it optically.  if you are lazy like me, you’ll crap out and scan it, but the real power of black and white photography is the texture of the print. you will learn more from 5 rolls of black and white film than you will shooting 120 digital photos, because you will be waiting for the ‘decisive moment’, rather than ‘spray and pray’.  With film, you’re overcome and can no longer restrain yourself from saving that exposure and taking the photo. At that point, you’re a real wedding photographer.  In the age of digital photography, it is more essential than ever to take film seriously.